By Mathew P. John
This publication argues that “cultural anthropology” and “theology” provide distinctive, but intrinsically attached theoretical frameworks to formulate a extra “holistic” examining of faith from global cinema. It proposes an built-in method for non secular feedback of movie during which we glance at faith as a subsystem of tradition and notice how non secular stories depicted at the display are mediated in the course of the own bias of the auteur and the context within which the movie is produced. It hence creates a renewed appreciation for the spiritual variety in our global through offering a brand new method of staring at and studying ethnographic info from global cinema.
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