Der Liebesbrief: Schriftkultur und Medienwechsel vom 18. by Renate Stauf,Annette Simonis,Jörg Paulus

The Democratic Surround: Multimedia and American Liberalism from World War II to the Psychedelic Sixties

We often contemplate the psychedelic sixties as an explosion of inventive strength and freedom that arose in direct insurrection opposed to the social restraint and authoritarian hierarchy of the early chilly battle years. but, as Fred Turner finds within the Democratic encompass, the many years that introduced us the Korean warfare and communist witch hunts additionally witnessed a unprecedented flip towards explicitly democratic, open, and inclusive rules of communique and with them new, versatile versions of social order.

How Australia Decides: Election Reporting and the Media

In recent times, the Australian media have come lower than fireplace for his or her reporting of politics and election campaigns. Political reporting is expounded to be too motivated by way of advertisement matters, too captivated with gossip and scandal, and too occupied with minutiae and 'sound bites' on the fee of great concerns.

Language, Society, and New Media: Sociolinguistics Today

Language, Society, and New Media makes use of an interdisciplinary technique, integrating frameworks from sociolinguistics and linguistic anthropology and rising strands of analysis on language and new media, to illustrate the connection among language, society, inspiration, and tradition to scholars with little to no history in linguistics.

Vermittlungskulturen des Amoklaufs: Zur medialen Präsenz spektakulärer Gewalt (Kulturelle Figurationen: Artefakte, Praktiken, Fiktionen) (German Edition)

Die Beiträge des vorliegenden Bandes untersuchen Ereignisse, die sich tief in das Gedächtnis der Gesellschaft eingraben und eine kollektiv geteilte kulturelle Erfahrung des Spektakulären anzeigen: sogenannte Amokläufe und college Shootings. Neben der spektakulär inszenierten Tatausgestaltung und ihrer willkürlich erscheinenden Grausamkeit ist an diesen Gewalttaten so frappierend, dass sich reales und mediales Geschehen in einer Weise überblenden, die beides nahezu ununterscheidbar werden lässt.